As confissões verdadeiras de um terrorista albino
[The True Confessions of an Albino Terrorist]
The True Confessions of an Albino Terrorist, a never-before-staged adaptation of Breyten Breytenbach's work of the same name, was adapted and directed by Rogério de Carvalho and co-produced by Teatro GRIOT and the Gulbenkian Next Future Program.
The True Confessions of an Albino Terrorist is the autobiographical portrait of the years of imprisonment in South African prisons of the artist and writer Breyten Breytenbach. It is the excruciating narrative of his journey through the hellish machine of the South African prison system, with all its procession of horrors, unbelievable stories, human figures. It is a reflection of a prisoner cut off from all his connections with the world, who ends up doubting the reality of what he is experiencing.
A text that is both a dramatic testimony and a literary work of exceptional poetic quality.
The play was distinguished as the “Best Show” of 2014 by the Público newspaper.
Rogério de Carvalho, director
How to deliver this text by Breytenbach? How to manifest the poetics carried by the book? What kind of dramatic reality can be constructed? Exclamatory (tragedy)? Narrative? Affirmative? The question of Theatre as Art has always been about finding the fair means to say and translate what we live: what takes place can’t be told with our daily language – it’s necessary to find other word modalities to tell what happens to us collectively. This is the fundamental reason for choosing ‘The True Confessions of an Albino Terrorist’ by Breyten Breytenbach.
We seek to find signs that allow us to say what hits us with the signs given by the text. The actors work the view imposed by the text in a double movement of reciprocal instrumentation of the text and whom says it. This production is an odyssey. Of great risk. Obliges us to find the new.
Breyten Breytenbach, author
It was quite an experience to have the privilege of being present in Lisbon, a few months ago, at the staging of an adaptation for the theatre of my prison memoir, “The True Confessions of an Albino Terrorist”. I was anxious at the prospect of being confronted with this painful part of my past, particularly with Golden Lotus, my wife who carried me through the ordeal now at my side. The memory is still dark and besmirched with the inhumanity and indignities of then. Of course, events before that and since have shown how lost we are and how desperately cruel man can be to man. The world we have made is not a life-friendly place… And my second anxiety was whether a text written from such physical and mental darkness and deprivation, essentially in the shape of an “interior interrogation”, could ever be adapted successfully to the demands of the stage. How were they going to visualize it? How could they split into a murmur of multiple voices that which was spoken in one mind, and even then with a closed mouth?… I was overwhelmed. Under RogérIo de Carvalho’s searching and sensitive and fearless direction, the players embodied not only faithfully that Kafkaesque space and moment in time, but they also broadened it to encompass in a kind of lament the horrors of the human condition we all share, and what the human does to his or her fellow human. The spectator is sucked, spellbound, into a dimension of ritual where there is nearly no décor to relieve the bleakness, and only snippets of a soundtrack.
What we are confronted by is the sheer vulnerability of humanity, by the deep ways in which we are linked and all the same, but then as well by the inextinguishable instinct to continue struggling for justice and for dignity. Even if only to “fail better”…
I bow before you in gratitude, comrades in the struggle!
adaptation Rogério de Carvalho
director Rogério de Carvalho
text Breyten Breytenbach
cast Carla Gomes/Ana Rosa Mendes, Daniel Martinho, Gio Lourenço, Maria Duarte, Matamba Joaquim, Miguel Eloy, Zia Soares
light design Jorge Ribeiro
sound design Pedro Lima, soundslikenuno
costumes Rosário Moreira, Neusa Trovoada
elocution Luís Madureira
photography Sofia Berberan
graphic Design Siamese Bastards, Neusa Trovoada
produced by Teatro GRIOT and Gulbenkian Next Future Programme
production assistance Underground Railroad Lisboa/Tambor de Lata
duration 2h15 with one interval